Note: Excellent show, William Henry did a great job of connecting the dots between the Blue Avians and their importance throughout history as represented in ancient Egyptian and Christianity. IMO if you’re not watching this series, you’re missing key data on the bigger picture of galactic history and how it relates to humanity’s hidden history. Blessings, enjoy!
Season 5, Episode 3
Now, I’ve been familiar with William Henry’s work since the late 1990s. He has been extremely consistent. I’ve gone all over the place. I’ve talked about everything you can imagine – Illuminati, UFOs. William has always been focused on ascension, focused on Christ, focused on the true core of what the message is that we’re all ultimately here to convey.
And William has really done an incredible amount of work, unlike anybody I’ve ever seen, in terms of looking at art and seeing some really, really provocative stuff. And when we found out the information that William had and the corroborating power that that brings to Corey Goode’s testimony, we said, “That’s it. We’ve got to have him on the show.”
Wait ’til you see the stuff that we have in this episode. It is going to blow your mind.
So, William, how you doing, buddy?
William Henry: Very good.
David: Can you just give us a little take on your idea of ascension? What is ascension?
William: Well, I always take people back to the story of the caterpillar and the butterfly. The idea is that we’re all living in a pupal phase in our human body, but within us is an ascended phase, a next-level, the butterfly.
And the problem is we’re kind of like that cartoon I saw once of the two caterpillars looking at the butterfly, and another one flies by and they say, “You’ll never get me up in one of those things.” Right? We don’t have a concept of what it means to ascend.
But simply, it means to become a celestial traveler, a cosmic being – to leave behind our caterpillar phase and morph, or phase, into an ascended form. And as you said, I’ve really studied the art of ascension. And they almost always show it the same way.
It’s a humanoid form, a light being, a luminous, radiant being, often shown in a sphere – a sphere of light. And that sphere indicates a portal. It indicates an ascension vehicle of some kind that ultimately manifests from within our own body.
David: Now, do you think Corey’s crazy? I mean, what’s your opinion on all this stuff?
William: I hear his story, and immediately I am getting resonance with what I know from the ancient world. It doesn’t sound crazy at all to me, because I know Blue Sphere beings exist. I know Blue Avian beings exist in the ancient record. Whether they are actual beings or mythological beings, we can’t answer for sure, but, however, humanity has been – I could use the word “obsessed” – with angelic beings for many thousands of years.
And very often in this ancient art, they are portrayed as blue beings, and often feathered or avian-type beings. They are Blue Avians.
David: Now, some people have accused Corey of just coming up with this elaborate story that has no precedent. So what I’m hearing you say is that there is a historical precedent for this.
William: Exactly. And when I first heard about Corey’s story, that’s exactly what I got, is like, wow, there’s resonance here. This is not something that you’re pulling out of your imagination. This is something that has been in the human imagination for a very long time.
David: What is the relationship, in your knowing, between these Blue Avian type beings that you see in the art and ascension?
William: The Blue Avians are teachers. They are the bringers, the light bringers, if you will, of the mystery teachings of ascension. And when we look to these beings, we’re looking to them as benefactors of humanity. You could go ‘savior’, but that’s a whole other category of beings. But benefactors – they’re wisdom-bringers.
They’re trying to get us to wake up to our soul’s potential of what is really within us, and out ability to leave the Earth, if we choose, and travel the cosmos.
Corey Goode: And you said you’ve been researching this specific topic since 2002, correct?
William: That’s correct. I started coming . . . Through my study of mystic Christianity, I started researching the ascension stories of Jesus. In the Bible, it clearly says that Jesus ascends in a cloud, and that furthermore, when he returns, he will return that same way – in a cloud.
But when you go over to Christian art, yeah, you will see a cloud. You will see him standing on a cloud, like the Buddhist cloud-riders, for example, but more often than not, there’s a precedence for his ascension taking place in a blue sphere, where he is even portrayed as a blue being. And then he is ascending into the stars through this blue sphere, or returning to Earth in this blue sphere.
It’s clearly some kind of a transportation vehicle.
David: Well, let’s dive out of the plane and parachute into this, because you have such amazing data. I don’t want to rob any time from it.
David: What have we got to look at first here?
William: Okay. Let’s go back to the Temple of Horus in Egypt. It’s in Upper Egypt. It’s on the Nile.
300 B.C. And this is what we’re looking at here. We see the exterior walls of the Temple of Horus.
And etched on the wall are these amazing depictions of Horus as a bird being. Now, the key thing is that very little color remains at this temple.
But when you zoom in on it, as I have here, you see that Horus is clearly a blue being.
David: There’s definitely some blue below the chin and above the eye.
William: And you can say, “Well, okay, somebody added that later or whatever. There’s really not a history of Horus being a blue bird being, a Blue Avian.”
So let’s go over to the Temple of Hathor at Dendera, which is nearby, also built at the same time. And what we see in the Temple of Hathor . . .
David: Oh, man.
William: . . . is this incredible depiction of Horus enthroned with a feather cloak indicating he is a bird being. The bird symbolism is very apparent here. And he’s on his ascension throne, which means this is a throne that he can travel into the stars.
He’s clearly a blue bird being, a Blue Avian in our context.
David: Now, Corey, what we see carved here does not look exactly like what you saw.
David: But William, are these people . . . These are not eyewitnesses that carved this? This is like based on a legend, do you think?
William: These are . . . Well, it could be both. We never know where the artist got the inspiration.
David: Right. Okay.
William: Did this artist at Dendera see a blue Horus, or was he told what to carve by some elder being?There is precedence in the text for the description of these beings in this way, but it’s open to interpretation about exactly the source of it.
David: But the core is, we have a human body with a bird face that’s blue.
William: Yes. Exactly.
David: Which is insane. This is crazy.
William: Totally. And when you look at Horus here, as I said, he’s on his ascension throne. And you have a human figure that’s offering a symbol for the soul, as well as a gateway to him. Horus has several very important tools, or implements, in his hand.
In his right hand, he holds his very long stick that’s a resurrection stick. It’s used for opening the gates of heaven. And in his left hand, he holds the ‘key of life’.
Now, Corey, take a look at that resurrection stick and look at the bottom of that. What do you see?
Corey: It looks like a tuning fork or some sort of resonance device.
William: Right. It looks like some kind of tuning fork or something. Same with the ‘key of life’. These could be puns, but it could also be that this is some sort of a vibrational technology that he’s demonstrating here.
Corey: Looks like a very subtle hint at something.
David: And we also know from some of the “Wisdom Teachings” episodes I did that the bennu bird on the top of the staff is actually the head of a pteranodon. And it appears that occasionally, these dinosaurs go through portals, and they portal into our time, and that the Egyptians saw that and they enshrined that on this stick.
So it does seem to represent ascension, portals, all that stuff, because of this pteranodon head on the stick.
William: Right. Very peculiar that they would have that kind of design, and we can match it up to our eyes with what appears to be some kind of a dinosaur that shouldn’t have been in this scene.
And so here we are looking at a benefactor, a teacher of humanity, who is saying, I’m bringing you the ‘key of life’. And I’m also offering you a teaching, maybe a vibration, that opens up some kind of a transportation vehicle for celestial transportation.
Corey: And the Blue Avians . . . Their message has been about raising your vibration.
William: Okay, there you go. So it’s about vibration. The vibration, of course, is love, what they most want us to know about.
Corey: Uh-huh. Love and forgiveness.
William: That’s what opens the gateways.
David: Are there any other points of continuity, William, that we’re going to see between this design and some of the other ones in terms of what he’s sitting on or what he’s wearing? Anything like that?
William: Pay close attention to what’s in their hand.
William: There’s very often going to be a stick. And pay attention to the throne that they’re sitting on.
David: Can you back up so we can look at that again briefly?
William: Yeah, take a look at that.
David: Okay, what have we got here?
William: You’ve got Horus wearing a feathered garment, indicating flight or ascension.
David: Or actual feathers.
William: Right, or actual feathers. And he’s on a throne. Other examples of this throne will actually feature feathers on them. Osiris sits on a feathered throne, because the idea is that it flies. This is how he comes and goes. And rather than showing a big spaceship or something like that, they’re going to show us a simple throne. The technical term for it in mystic circles is the Merkabah throne chariot. This is the throne these beings sit on, and they ascend on this throne. They come and go on this throne.
Corey: That’s fascinating.
William: Look at this example. This is extraordinary. We’ve got a pharaoh on his throne, holding our key tools, or implements – the stick, the key – and he’s on a boat, a ship.
It’s called the Ship of Eternity, the Ark of the Millions of Years, is the term they used for it. The Ark of the Millions of Years. I mean, what does that say?
Corey: It says a lot.
William: Yeah. These are eternal beings.
David: And it looks like the guy on the left is a lot larger than the person on the right. And one of the things, Corey, with the Blue Avians, right, they’re taller than us.
David: So that could be a connection.
Corey: Yeah, it could be. Yeah.
William: Yeah. So we’re in a blue sphere here.
William: We have a blue being and a blue sphere. This is a Blue Sphere being, okay? Putting it together.
David: It is crazy. I mean, you look at that – this gorgeous lapis lazuli stone.
William: Yes, and gold.
William: And along the top . . . Notice the line of stars along the top. That’s the Egyptian hieroglyph for heaven. So this is saying this is a heavenly being sailing his Ark of the Millions of Years on his throne in his blue sphere.
David: Right. The board would be like a vessel, right? Something that could actually . . .
William: It’s a wormhole. It actually looks like a wormhole.
William: The lotus buds on each end look like the mouths of a wormhole.
David: Right, exactly.
William: So this is a wormhole that this guy is traveling through. He’s a happy camper. This is the goal of all human ascension quests. You want to get on that seat.
David: And, Corey, you’re actually traveling in these blue spheres . . .
David: . . . when you go out there, right?
Corey: Right. Yes. They will appear in a room, zigzag around, stop about this far away from me, wait for me to indicate that I’m ready, and then they expand and I’m inside.
William: There you go. We’re going to talk about that as we go because that is THE key experience that all of us actually are capable of having.
Corey: Oh, yeah.
William: We can get a hold of one of these flashes of blue light and open it up into a blue sphere and enter into it and travel.
But let’s go forward here 300 years now. Let’s leave Egypt, and now let’s look at what we have here on the left.
David: That’s crazy. There’s wings. There’s something that looks like a blue sphere. There’s all kinds of radiants around it like layers of a portal or something.
William: Yep. This is the Last Judgment scene.
David: Where does this come from?
William: This means it’s the Second Coming. So Christ is returning. He ascended on the cloud, and the Book of Acts says he will return the same way he left – on this cloud. It’s blue.
This is Fra Angelico’s painting, Renaissance. You have Jesus sitting on his ascension throne surrounded by this mandorla, or almond-shaped, gate of light, that is surrounded by blue angelic beings. Blue birds. READ MORE
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