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Playing but not playing. The messages are put in media because this is the easiest way to reach the population at large and convey complex almost non-sensical metaphysical truths and secret operations in ways that most people would sincerely believed can only be fantasy or science fiction.
How’s this, science fictions was invented as a way to slowly bring the truth to the population without blowing people’s minds.
Sure, could this be a ‘trick’ to get people thinking crazy and opened up to new ideas until the most intimately reversed and outlandish ideas are common place? Possibly, but the truth of THAT possibly occurring is still the most outlandish perspective of life a person will realize because this still indicates that there is a deeper truth that there is an agenda taking place to reorganize the conscious perceptions of the human being in order to ultimately place them within a new world fabricated entirely from advanced, false-light technology where they can be mind controlled and used as pets and then fuel.
This is the time before that convergence point where all who are going to make it out, get out alive, while all who are going to stay, begin to see the light fade.
In the episode “Total Rickall (play on total recall, mind erasure, replicants, holographic parasitic invasion/infection) parasites that were picked up on the craft and crew as they made their was from a distant reality seeped into the minds of the family back at home where they inserted themselves via the instantaneous generation of false-memory constructs which acted as temporal anchors for the consciousness of the parasites into the subconscious of the host family.
These beings basically imitated any kind of personal values that they could project through a simple analysis of the hosts mind. When the host searched their memory for a reason that this parasite could be present, the parasite simultaneously mirrored and filtered that information so as to set up a kind of containment consciousness system (live-updating hypnotism and holographic memory insertion) that would then re-render the information to introduce and securely place the parasite as an aspect of the hosts mind having always have been there and being an important and friendly part of their familial environment.
The major flaw here was that the parasites could not fully interpret the emotional context and perceptual organization of the host family and so there would only be slap-happy whimsical “good” memories of the parasites and the family members without ever having had the chance to introduce a failure of personality, a let down, an argument, or any kind of real-life element of a human to human relationship. This was the flaw that allowed the family to break free from the grip of the parasites.
Everything here is a representation of various situations in the world we are in today, including the way the “home-base” locked down at the push of a button as soon as parasitic consciousness were detected. This happens automatically, no one has to push the button in the real situation. No one gets out, alive or dead, until all the parasites are cleared.
Yes, shows like Orphan Black (which I have not seen), Fringe, The OA (from what I’ve seen, instant flash backs), WestWorld (another, cannot watch, instant flashbacks), and others are actually formated and brought forth by various agencies.