Wendy Williams only joined FAINT CLUB-Here’s 100 more FAINTING PEOPLE on Live TV PT1


 

Note: Synthetic humans, is there evidence this technology is real? Good question. From my unique room with a view, this is outstanding sleuthing on behalf of AC, eye opening indeed. I first heard of synthetic humans from a Project Camelot whistleblower back in 2010-11’ish. It appears Hollywood and Washington DC have been utilizing this technology extensively for some time now. Very interesting clips showing a pattern of fainting at presidential political rally’s and the reaction from the podium is virtually identical with almost every incident.

I’ve fainted a couple of times at the sight of blood and it looked nothing like that, it was always a ‘somewhat’ smooth, quick collapse to the ground. Nothing jerky, no stumbling and the ability to grasp objects slipped out of my hands. Afterward it took at least a few minutes to come back to full consciousness and functionality. Injoy!

Blessings!

Wendy Williams only JOINED “FAINT CLUB” (she didn’t START it). I’ve compiled over 200 examples of PEOPLE FAINTING for REAL, and this is Part 1 Of at least a 2-part series on this bizarre subject…. It gets weird, though. It’s okay if you don’t feel compelled to look too deeply into this one, as it is the darkest part of what has been done to the most influential people throughout time by the evil faction I like to call the “Quantum Infiltration.”

CHECK OUT MY FRIEND MANDELA EFFECT COMEDY’s YouTube channel!! Link: https://www.youtube.com/user/influent… Also check out my friend youlittlerocket’s video on Dr. Peter Beter: https://youtu.be/nc0m5UMPwtU

Thank you for watchin’, and ❤️ MUCH LOVE TO YOU! ❤️ As always, feel Free to LIKE, COMMENT, SUBSCRIBE & SHARE! Want more AC? Become a Patreon Supporter toady & get EXCLUSIVE ACCESS to BONUS FOOTAGE, VIP LIVE CASTS & MORE! http://patreon.com/affectedcollective

Advertisements

Enter The Buzzsaw ~ Hollywood Illuminati, Sex Magick & Satanic Super Bowl Ritual with Mark Dice


Illuminati infiltration of Hollywood and professional sports has created satanic celebrations at the Oscar Awards and Super Bowl, and we unmask them with Mark Dice. From Eyes Wide Shut, to Lady Gaga, and the Super Bowl halftime show celebrations of the Satanic–we try to separate the fad of illuminati imagery from the substantial effects of a mass designed mind-control. How the CIA collude with movies to brainwash people, the music industry pressure to sexualize and bend musicians to their agenda, and the voices that are actually using the medium to critique the conspiracy are revealed in this uncensored Buzzsaw hosted by Sean Stone.

GUEST BIO:
Mark Dice is the author of several popular books on secret societies and conspiracies, including The Illuminati: Facts & Fiction, Inside the Illuminati,The Bilderberg Group: Facts & Fiction, Big Brother: The Orwellian Nightmare Come True, and his newest book, The Bohemian Grove: Facts & Fiction, which are available in paperback on Amazon.com, or e-book on Kindle, iBooks, Nook or Google Play. While much of Mark’s work confirms the existence and continued operation of the Illuminati today, he is also dedicated to debunking conspiracy theories and hoaxes and separating the facts from the fiction; hence the “Facts & Fiction” subtitle for several of his books. He has a bachelor’s degree in communication from California State University.

ADD’L LINKS:
http://www.markdice.com/
https://twitter.com/MarkDice
https://www.youtube.com/user/MarkDice
https://www.facebook.com/MarkDice
http://thelip.tv/
http://thelip.tv/show/buzzsaw/
https://www.youtube.com/c/Buzzsawwith…
Buzzsaw Full Episodes:
https://www.youtube.com/watch?v=jeR5W…
Buzzsaw Interview Highlights:
https://www.youtube.com/watch?v=Y6zwG…
Buzzsaw Secret Societies Illuminated Playlist:
https://www.youtube.com/playlist?list…
Metaphysics and Visionary Spirituality on Buzzsaw Playlist:
https://www.youtube.com/playlist?list…
Shadow Government Revealed on Buzzsaw:
https://www.youtube.com/playlist?list…
Alien Truth on Buzzsaw Playlist:
https://www.youtube.com/playlist?list…
More Buzzsaw Interview Highlights:
https://www.youtube.com/watch?v=bpVpd…
https://www.facebook.com/EnterTheBuzz…
https://www.facebook.com/thelip.tv
http://www.youtube.com/theliptv
https://www.youtube.com/channel/UC25k…

EPISODE BREAKDOWN:
00:01 Welcoming Mark Dice to Buzzsaw.
01:00 Awakening to the illuminati in entertainment–concerted effort or a fad?
03:50 The CIA and Hollywood.
08:09 The Masonic Oscar ceremony and ritual evolution of the Super Bowl.
11:32 Monarch project infiltrating musicians and actors-Kesha
16:16 The owl decoded.
18:59 Lady Gaga’s resurrection of R. Kelly.
21:20 Professional sports and the game of mind control.
25:32 Consumerism run amok and technocratic disassociation.
28:05 Filmmaking against the illuminati, plausible deniability and subliminal truth.
34:06 Celebrity sacrifices, vs the serious targeting of Michael Hastings.
42:15 Eyes Wide Shut, sex magick, and the Hellfire club.
47:05 Thanks and goodbye.

Why The Illuminati Killed Robin Williams Conspiracy EXPOSED


Ed. Note: Peeling back another layer of the onion on the money factor, an even darker aspect to the deaths of celebrity’s are the artists managers who have access to their bank accounts. Lengthy and complicated Artist/Manager contracts have a clause which allows the manager access to their accounts because the management company pays bills and covers for the artists. Most artists can’t afford lawyers early in their careers to help them understand what they’re signing away in contracts which are not easily understood in layman’s terms, which opens the door for predatory managers to gain access to an artists assets, including real estate and personal savings accounts. It’s an evil, dark industry at it’s core, one which preys on the hopes and dreams of those in desperate search for stardom…some people will sell their soul for a chance on the big screen, signing away their lives without reading the contract. Or their children, just look at the Olsen twins now…one of them is with a man much, much older than she is. Corey Feldmens parents are another example of what people will do for fortune and fame, having no idea they will pay the ultimate price.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

This is the Final Cut version of The Illuminati Blood Sacrifice Conspiracy surrounding Robin Williams death. In this video you have a more in depth look than any other on the web on this theory! Yes Dave Chappelle is right! Something is surely going on in Hollywood! God Bless

Illuminati Star Whackers EXPOSED by Randy Quaid – http://youtu.be/nzsHj6Mgsls

Heath Ledger Illuminati Blood Sacrifice EXPOSED !!! – http://youtu.be/h8fjvE261OI

Dave Chappelle EXPOSES The Satanic Hollywood Illuminati Cult !!! – http://youtu.be/QBwnJbeKIko

Paul Walker Illuminati Blood Sacrifice Conspiracy EXPOSED !!! A Victim of Hollywood’s Star Whackers! – http://youtu.be/bQ3q5OGwywk

“THEY ARE TRYING TO KILL ME” Martin Lawrence EXPOSES Illuminati – http://youtu.be/OVNY2OYbXLs

The Ultimate Warrior Illuminati Blood Sacrifice Conspiracy EXPOSED !!! – http://youtu.be/rfqKh5XPK7g

Peaches Geldof Illuminati Blood Sacrifice Conspiracy EXPOSED !!! – http://youtu.be/dHNF0y_Xu0M

K-POP Stars EunB and RiSe Illuminati Blood Sacrifice Conspiracy EXPOSED – http://youtu.be/DK4VeTfgBM4

Family Guy Illuminati Predictive Programming Mind Control EXPOSED !!! – http://youtu.be/ngUr3sDPNxc

Roseanne EXPOSES Hollywood Illuminati MK-Ultra Mind Control !!! http://youtu.be/O-PGThbL7zo

Come and like us on Facebook @ http://www.facebook.com/thevigilantchristianmar­io

Follow on Twitter – http://www.twitter.com/vigilantchrist

If you feel led to support this ministry and help equip us with materials for future projects you can make a donation here:
https://www.paypal.com/cgi-bin/webscr…

The Whitewashing of Allison Ng: “Aloha” Isn’t Alone in Casting White Actors in Asian Roles


Like Cumberbatch as Khan and ScarJo in “Ghost in the Shell,” Emma Stone isn’t Asian, just playing one on film.

By Paula Young Lee / Salon

During the ‘00s – the aughts — it used to be that blockbuster summer films popped an Asian guy into its cast (“we ought to have an Asian guy”) and made sure he was dead before the final credits. (“We ought to have a Meaningful Death here. Let’s kill him off!”) I called this guy the Expendable Asian Crewmember, in reference to the security officer in the ‘60s television version of “Star Trek,” the red-shirted extra fans referred to as the “Expendable Crewmember” because he was sure to get phasered into oblivion after beaming down onto the hostile planet. Now that we’re halfway through the teen years of our 21st century, Hollywood has developed a kinder, gentler way of making sure that only white heroes are left standing by the end: it tells you the character is Asian, but casts a blindingly white actor to play him/her/them.

Apparently, when film producers are presented with the problem of casting a bankable Asian male, the first actor that springs to mind is Benedict Cumberbatch. When he is unavailable, the next best option is … Tilda Swinton? A woman who did a very good job playing an archangel named Gabriel and even better job playing a vampire  is now in talks to play a male Tibetan mystic to round out her “androgynous immortal” portfolio.

This latest batch of white actors playing Asian characters is different from the (formerly heinous, insultingly clumsy) attempts at yellowface, blackface, and redface that used to plague Hollywood, because no attempt has been made to change the appearance of their features. The history of the most racist yellowface castings is well-trodden ground: Mickey Rooney as a Japanese neighbor, Marlon Brando as a Japanese interpreter, John Wayne as Genghis Khan — that kind of obvious yellowface makes Millennial eyeballs burn from the cinematic Sriracha being squirted into them. Nowadays, pancake makeup and cheap prosthetics are far too crude. Today’s sophisticated viewers are postmodern, and the burn is far more subtle. Polite people are not supposed to notice that the radiant white actor playing a person of color is, in fact, not a person of color. And if you do notice? Well, making a big deal out that actor’s blonde whiteness means you’re bigot. (Heck, you might even be a thug.) If Tilda tells you earnestly that she is playing an Asian male and you respond in confusion, “You don’t look Tibetan,” then you’re the troll unable to accept all forms of identity, race and gender included, as a cri de coeur of self-determination.

In its own weird way, this casting strategy performs a brilliant sleight-of-hand, allowing “diversity” to be trumpeted while hiring no minority actors whatsoever! (Well, maybe just a few. There are sidekicks, but never leads. It’s a drinking game to find them.) Certain re-casting disasters have become well known. “Avatar: The Last Airbender“ and “Dragonball: Evolution” spring to mind. Yet the substitutions not only keep on happening, but the white actors now being cast to play Asian roles are not just white but often posh Anglo, too, as if to reaffirm super-whiteness by bypassing the commoner soup springing from the loins of the unwashed American masses.

A look at some recent and upcoming examples:

“Aloha,” 2015. Putting aside the fact that this film tells you it’s taking place in Hawai’i but is actually set in the same Wonder-bread universe where too much “Sex and the City” spawned “Girls” and “Boyhood,” “Aloha” asks you to believe that Emma Stone – sweet, sparkly, Maybelline Emma — is “one-quarter Chinese, one-quarter Hawaiian, and one-quarter Swedish, making ‘Aloha’ the first major studio movie to explain to white folks how you pronounce the name “Ng” (like ‘ring,’ without the R).” Well. That’s, like, totally mean. Who are you to say that Emma Stone couldn’t have a bio Chinese dad even though blonde hair and green eyes are recessive traits and did it never occur to you that she could be bleaching her hair and wearing contact lenses to fit in with white kids making fun of her for being Hapa? Your racist attitude is just like what happens to adopted kids being asked who their “real” parents are. Umm, yeah. Emma Stone as a fighter jet pilot Asian chick is verging into the parodic territory of Steve Martin playing Navin Johnson, the banjo-playing son of “poor black sharecroppers” in “The Jerk.” Unfortunately, “Aloha” isn’t supposed to be a comedy.

“Star Trek into Darkness,” 2013. In the original televised episode, “Space Seed,” from “Star Trek,” 1967, Khan Noonien Singh is a genetically-enhanced superman whose family name (Singh) indicates he is Sikh, whereas his title (Khan), invokes Genghis Khan, who was Mongol. Although the precise ethnic mixtures are endlessly debatable, the character was definitely Asian. Ricardo (“Mr. Roarke”) Montalbán played him on the televised episode as well as in “Star Trek II: The Wrath of Khan,” which was a bit weird but plausible because Khan was always supposed to be a genetic mixture of the best of Europe and Asia. Then came “Star Trek into Darkness,” beginning Benedict Cumberbatch’s reign. Now running around the future as “John Harrison,” Khan Noonien Singh is (like Gustav Graves, see “Die Another Day” below) fully good-White on the outside but bad-Asian on the inside. According to the co-screenwriter, Benedict was cast in order to avoid “demonizing” people of color. (“That logic is…illogical,” I say, in my best Mr. Spock voice.)

“Die Another Day,” 2002. This James Bond film pits 007 against North Koreans who literally morph into white guys. Their characters are so white that one North Korean/Chinese villain has diamond whiteheads sprouting on his bleached face as he dreams electric dreams in German, a language that he hopes his genetically altered, blue-eyed features will soon match in Aryan perfection. Naturally, the head villain’s lair is an ice palace in snowy Iceland. Played by British actor Toby Stephens, the villain, “Gustav Graves,” is so British that he gets knighted by the Queen, takes fencing lessons from fake-British-accent Madonna, and his trophy British girlfriend is lady named “Frost.” But inside, Graves is really, truly North Korean and hell bent on destroying all things good and British using his ill-gotten billions. When he appears for two minutes as his authentic, pre-op self, he’s played by Will Yun Lee, a Korean-American actor.

“Ghost in the Shell,” in production. Scarlett Johansson has signed to star as 草薙 素子. Which, in a nutshell, explains why fans of the anime and manga series, “Ghost in the Shell,” are pissed. Fans of Scarlett in corset-tight outfits, however, are rejoicing. So is Spanx.

Another possible entry: “Doctor Strange,” in production. I will admit this one is idiosyncratic, but when I was a little kid, I always assumed that Doctor Strange was Asian, same as Mr. Spock. In any case, Cumberbatch has been cast to play the good doctor and will doubtless remain fully himself, i.e. Sherlock Holmes/Alan Turing/British guy supreme, while playing the most powerful master of Eastern mysticism who ever lived. Doctor Strange is so strange there’s multiple versions of the character, so it’s hard to argue with that casting. It’s his mentor, Yao the Ancient One, who just might affirm the peculiar practice of White Actor playing Asian Guy. This practice has become so acceptable (read: profitable) that it even trumps Hollywood misogyny, with Tilda Swinton in talks to star as Doctor Strange’s Tibetan male mentor. Yay for Tilda, if it is so! Sad face for Asian actors everywhere.

All of this raises the question: are there really no Asian actors capable of playing Asian characters? Let’s see. Jackie Chan, Gong Li, Maggie Q, Sandra Oh, Lucy Liu, and, oh yeah, Keanu Reeves (who in real life has a Hawai’ian/Chinese/Portuguese dad) are already household names with considerable star power and semi-obvious to be cast playing Asian roles. I mean, who wouldn’t want to see Neo playing Yao? Arguably, there are lots of established Asian and Asian-American actors whose careers are ripe for megastardom. Some, like Rain, are already huge box office draws unknown to all but American audiences. Daniel (“Agent Zero”) Henney, one of the hottest guys on the planet, could easily hold the lead playing an international spy or mysterious assassin, but it really doesn’t matter as long as women get to stare at his stubble. Min-Sik Choi is instantly recognizable as the weary protagonist of “Oldboy,” a 2003 cult film so influential that Spike Lee remade it in 2013 with a white lead (it bombed). Choi would be perfect for any action flick calling for gravitas combined with murderous efficiency in the manner of Liam (“I-have-a-very-particular-set-of- skills”) Neeson. Daniel Dae Kim, that Korean guy from “Lost,” now co-starring on “Hawaii Five- O,” practically has a blinking billboard over his head saying CAST ME AS A SUPERHERO. John Cho wants to be the next Bruce Wayne/Batman. He ought to be.

In other words, when Benedict and Tilda get to play everyone — men, women, aliens, angels, Asians — it’s not so much an affirmation of their considerable charisma and acting skills, but confirmation that the entertainment business is giving a big fat F-U to large chunks of talented artists who happen to belong to the wrong ethnic group. The trouble is that films are also cultural mirrors of our collective psyches, and acting is a particular kind of job. When whole swaths of moviegoers don’t see themselves in the stars dangling before their eyes, that’s a problem of self-reflection in the making.

In concrete terms, when certain actors aren’t given starring roles, they don’t eat. It’s mighty peculiar when talented professionals aren’t hired because having the right looks and all the moves means they are wrong for the part. Hollywood is a brutal business for everyone, but it’s hard to overlook the fact that this planet is very hostile to Asian actors, who are getting bloodlessly blasted into oblivion with every mission to explore strange new worlds. What about all that money being made? Hollywood will tell you that it’s all a number’s game; they’ll start casting nonwhite actors when audiences line up to see them. For the time being, today’s audiences seem content with being taken for a ride, just as long as they get snack food and really good air conditioning. Just like the Starship Enterprise.

 

Paula Young Lee is the author of several books, including Deer Hunting in Paris: A Memoir of God, Guns, and Game Meat. She is the winner of the 2014 Lowell Thomas Travel Book Award of the Society of American Travel Writers.

http://www.alternet.org/whitewashing-allison-ng-aloha-isnt-alone-casting-white-actors-asian-roles?akid=13172.321917.3iuuTr&rd=1&src=newsletter1037260&t=17

Hollywoodism: Jews, Movies and the “American Dream”


Note: My mother converted to Judaism in 193 when she married my stepfather, a divorce attorney and VP of the local Jewish Synagogue. Jews have a sense of family that runs deep, they stick together and take care of each other as a collective. Coming from a broken family, and then constantly being uprooted throughout my childhood and early teens, those were traits I admired and respected in the Jewish community.

Yet, considering the quality of entertainment {entrainment} coming out of Hollywood lately, you can’t help but wonder what’s been going on with Jews virtually owning and operating the music and movie industry’s after taking in the information below. You can bet  they only deal with Jewish owned financial institutions to fund their movies too…you be the judge. Blessings! ~A~}


2013 09 08

From: youtube.com

 

The following description text is from the uploader at YouTube:

The next time you hear the Jews (I’m a Jew!) say that they don’t own Hollywood, listen to them brag about it in their own video! They can’t have it both ways! Incidentally, this is an edited version of this excellent video. The entire video can be purchased from A&E Home Video at Amazon.com or rented from Netflix.com.

Some people have publicly criticized others for “believing” that Jews set up Hollywood and today run it. These people believe it is “anti-semitic” to state this historical fact. They also fight you on this point without any data to back up their argument. Those who criticize have simply not looked at the history of Hollywood nor have they read any of the material or seen any of the documentary films that detail these very simple and straight forward facts.

Please take a look at the video, read the book and see the below article by Joel Stein from LA times for clarity on this issue. Anyone who tries to call you an “anti semite” for referencing this history or stating this fact is an ignoramus that you can conveniently avoid. For those who truly understands Hollywood’s mind control, the massive influence on popular culture and the young, this should be very interested point of study. Understanding the inception and history behind the motion picture industry of America is vital to be able to understnad both why and how it shapes people’s politics, opinion and ideas of the world, society and the self.

According to Indian Bollywood producer Raj “unless you are Jewish, you are nobody in Hollywood:”

An Empire of Their Own: How the Jews Invented Hollywood

Back Cover Text:

Winner of the Los Angeles Times Book Award for history, this “wonderful history of the golden age of the movie moguls” (Chicago Tribune ) is a provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America’s motion picture industry.

Wikipedia: An Empire of Their Own: How the Jews Invented Hollywood

An Empire of Their Own: How the Jews Invented Hollywood is a non-fiction book whose topic is the careers of several prominent Jewish movie producers in the early years of Hollywood. Author Neal Gabler focuses on the psychological motivations of these film moguls, arguing that their background as Jewish immigrants from Eastern Europe shaped their careers and influenced the movies they made.

Gabler’s main thesis is that these producers (whom Gabler terms ’Hollywood Jews’) generally came from poor, fatherless backgrounds, and felt like outsiders in America because of their Jewishness. In Hollywood, these producers were able to run their own industry, assimilate into the American mainstream, and produce movies that fulfilled their vision of the American dream. Gabler asserts that the nature of their business and their movies can often be traced back to their feelings of alienation as immigrants.

The book also explains that the business background of the ’Hollywood Jews’ in theatre-ownership, retail distribution, and the garment industry shaped the approach these studio owners took to crafting movies for a popular audience, one similar to the marketing of films as commodities as well as works of art.

The book won the 1989 Los Angeles Times Book Prize for history and the 1989 Theatre Library Association Award.

How Jewish is Hollywood?


By Joel Stein | December 19, 2008

From LA Times by Joel Stein: Who runs Hollywood? C’mon

A poll finds more Americans disagree with the statement that ’Jews control Hollywood.’ But here’s one Jew who doesn’t.

How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger (Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothers had signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah.

The person they were yelling at in that ad was SAG President Alan Rosenberg (take a guess). The scathing rebuttal to the ad was written by entertainment super-agent Ari Emanuel (Jew with Israeli parents) on the Huffington Post, which is owned by Arianna Huffington (not Jewish and has never worked in Hollywood.)

The person they were yelling at in that ad was SAG President Alan Rosenberg (take a guess). The scathing rebuttal to the ad was written by entertainment super-agent Ari Emanuel (Jew with Israeli parents) on the Huffington Post, which is owned by Arianna Huffington (not Jewish and has never worked in Hollywood.)

The Jews are so dominant, I had to scour the trades to come up with six Gentiles in high positions at entertainment companies. When I called them to talk about their incredible advancement, five of them refused to talk to me, apparently out of fear of insulting Jews. The sixth, AMC President Charlie Collier, turned out to be Jewish.

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day.

So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.”

I called ADL Chairman Abe Foxman, who was in Santiago, Chile, where, he told me to my dismay, he was not hunting Nazis. He dismissed my whole proposition, saying that the number of people who think Jews run Hollywood is still too high. The ADL poll, he pointed out, showed that 59% of Americans think Hollywood execs “do not share the religious and moral values of most Americans,” and 43% think the entertainment industry is waging an organized campaign to “weaken the influence of religious values in this country.”

That’s a sinister canard, Foxman said. “It means they think Jews

meet at Canter’s Deli on Friday mornings to decide what’s best for the Jews.” Foxman’s argument made me rethink: I have to eat at Canter’s more often.

“That’s a very dangerous phrase, ’Jews control Hollywood.’ What is true is that there are a lot of Jews in Hollywood,” he said. Instead of “control,” Foxman would prefer people say that many executives in the industry “happen to be Jewish,” as in “all eight major film studios are run by men who happen to be Jewish.”

But Foxman said he is proud of the accomplishments of American Jews. “I think Jews are disproportionately represented in the creative industry. They’re disproportionate as lawyers and probably medicine here as well,” he said. He argues that this does not mean that Jews make pro-Jewish movies any more than they do pro-Jewish surgery. Though other countries, I’ve noticed, aren’t so big on circumcision.

I appreciate Foxman’s concerns. And maybe my life spent in a New Jersey-New York/Bay Area-L.A. pro-Semitic cocoon has left me naive. But I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.

Source: From LA Times by Joel Stein

http://www.redicecreations.com/article.php?id=26797

 

Roseanne Barr: “MK Ultra Rules In Hollywood”


Posted by R & S in News On October 12, 2013

 

Related Posts Plugin for WordPress, Blogger...

                                  0203-roseanne_full_600

 

For those of you that don’t know, Roseanne Barr is a well known actress, comedian, writer, television producer and director. She has won several awards which include Emmy awards, Golden Globe awards, People’s Choice awards and more. She has been in the industry for over twenty years and has gained much respect from many of her Hollywood colleagues who she is now speaking on behalf of. I just want to make it clear how long she has been inside the industry, and the connections she has to others within it. Industry insiders are feeling the need to share inspirational words and food for thought to the millions of people that pay attention to them as of late. We saw this recently with Ashton Kutcher. Celebrities have a voice that can reach a large sum of people, they can be a threat to corporate interests and the controlling elite and as Roseanne states, many celebrities bite their tongue and live in a culture of fear.

Not long ago, Roseanne made some shocking statements, alluding that Hollywood and the entertainment industry is dominated by MK Ultra. MK Ultra was the name for a previously classified research program through the CIA’s scientific intelligence division. It was the CIA’s program of research in behavioral modification and perception manipulation of human beings (1). It was previously known as Operation Paperclip (2). Roseanne is suggesting that Hollywood is a tool used in the manipulation of human consciousness, used as a tool for behavior modification and perception control  in human beings.

Hollywood is the one that keeps all of this power structure. They perpetuate the culture of racism, sexism, classism, genderism and keep it all in place. They continue to feed it, and they make a lot of money doing it. They do it at the behest of their masters, who run everything.

I speak on behalf of Hollywood. I go to parties, Oscar parties and things like that and big stars pull me aside, take my arm and whisper: “I just want to thank you for the things you say.” And it blows my mind, but that’s the culture, it’s a culture of fear.

It’s a big culture of mind control, MK Ultra rules in Hollywood

The CIA and Hollywood

It’s funny that ancient Druid ‘wizards’ and ‘magicians’ used to make their wands specific for casting spells from the Holly Wood tree. Maybe “Hollywood” is used to cast spells on the masses, because at the very least it can sure seem that way. Everything we do is so systematic, so robotic in nature. We go to school, get a job, have a family and chase materialistic gains only to find out that it is not what our soul truly desires. We are told what to wear, what’s popular, what to buy, what truth is and how life is through television. It keeps us occupied, ignorant and blind to what is really happening on our planet.

Roseanne’s public remark that the CIA’s MK Ultra program rules in Hollywood is an educated statement, and not just an opinion. It comes from her own experiences within the industry as well as an awareness of known facts about the CIA and their involvement in Hollywood -all of which also happen to be available to the public. It’s not hard to see how television and mass advertising can be used as mind control, basically shaping the perception of the individual, as well as displaying what each individual should “be” like, what type of life to chase and what it means to be successful. Given Roseanne’s statement, as well as the information we already have in the public domain, it’s safe to say that something fishy is going on in Hollywood. Ask yourself, are your wants really yours? Or have they been programmed into you since birth?

Not many people know this, but the CIA has an entire department dedicated to the entertainment industry. It’s run through the CIA’s Entertainment Industry Liaison Office (3), which collaborates in a strictly advisory capacity with filmmakers. The CIA doesn’t just offer guidance to filmmakers, it even offers money. In 1950, the agency bought the rights to George Orwell’s Animal Farm, and then funded the 1954 British animated version of the film. Its involvement had long been rumored, but only in the past decade have those rumors been substantiated. The link between Hollywood and the CIA isn’t something new, and Roseanne isn’t just blurting out information that has no backing behind it.

The CIA also had a project called Mockingbird, in which the CIA infiltrated mass media outlets in order to sway public opinion. After leaving The Washington Post in 1977, Carl Bernstein spent six months looking at the relationship of the CIA and the press during the Cold War years. His 25,000 word cover story that was published in Rolling Stone in the late 70′s can be read here.

With this article I wanted to present a small amount of information to give you, the readers, some background on these programs within the department of defense. Making the connection between these programs and Hollywood isn’t hard. Using Hollywood as a mind control hub can easily be labelled as a conspiracy to many, but I believe that labeling can only come about when one fails to actually look into it.

Hopefully this tidbit of information provides some backing for Roseanne’s claims, along with her experience within the industry. If you want to look more into the CIA’s influence in Hollywood, MK Ultra and Project Mockingbird are a good place to start. Brave souls like Roseanne speaking out is simply helping the masses shed light on these long-existent programs. Individuals within the entertainment industry are simply used as tools for mind control. We are programmed to worship them, praise them and be like them. These “stars” are used as puppets to serve a greater agenda. Let’s not forget that Hollywood (entertainment industry) is owned (shareholders) by the same corporations and financial institutions that own the energy, health and food industry.  Institutions like Fidelity Investments, the Vanguard group and the State Street Corporation. They own Disney and the major corporations that govern Hollywood, they also own Big Oil, Big Food and Big Pharma! (4)(5) (6).

The connections are endless, and if you do the research, it’s not hard to see. Nothing is really hidden, it’s not a conspiracy.

It’s good to see the world waking up everyday. We are recognizing that peace between all is what really makes the most sense. Peace and love is the necessary core to re-creating our reality, awakening to the truth about our planet and who we give our power away to on a daily basis is a step for some people to arrive at a greater conclusion. The truth is, we are required to sustain the current system, therefore we can choose to change it at anytime.

Sources:

(1)http://www.nytimes.com/packages/pdf/national/13inmate_ProjectMKULTRA.pdf

(2)http://www.archives.gov/iwg/declassified-records/rg-330-defense-secretary/

(3)https://www.cia.gov/offices-of-cia/public-affairs/entertainment-industry-liaison

(4)http://finance.yahoo.com/q/mh?s=dis+Major+Holders

(5)http://finance.yahoo.com/q/mh?s=xom+Major+Holders

(6)http://finance.yahoo.com/q/mh?s=MON+Major+Holders

http://en.wikipedia.org/wiki/Project_MKUltra

http://en.wikipedia.org/wiki/Operation_Mockingbird

https://www.cia.gov/open/Family%20Jewels.pdf

http://www.youtube.com/watch?feature=player_embedded&v=5ED63A_hcd0#t=19

http://www.theguardian.com/film/2008/nov/14/thriller-ridley-scott?fb=optOut

 

– Via : http://www.collective-evolution.com

 

New Tom Secker Article: ‘The CIA’s role in Hollywood’


Friday, 2 August 2013

Tom Secker is a British based writer, researcher and filmmaker who specializes in terrorism, the security services and declassified history.  He has been writing on the philosophy and politics of fear since 2008. He also periodically contributes here on SmellsLikeHumanSpirit.com, and previously appeared on the Podcast in Episodes 12, 45, and 78. Below is his latest article, ‘The CIA’s role in Hollywood’:

 
Secret agents are supposed to be secret but their existence is common knowledge.  We know that they exist, but most people don’t know what they get up to, what they actually do.  The main reason for this is that the conventional news media coverage of intelligence agencies focuses almost exclusively on them gathering information, portraying them as passive observers of the shadowy underworlds that surround our ‘civilization’.  Their active role in covertly wielding influence on both a small and large scale is essentially ignored.
The vacuum left by the absence of real-life news media reporting on the actions of the secret services is filled with spy-fi, or spy fiction.  The world’s most famous spy, James Bond, has been aped across the world, the US versions even sometimes bearing the same initials – Jack Bauer from 24 and Jason Bourne from the Bourne films are simple examples.  Throughout the decades it has largely been British authors – Somerset Maugham in the 1930s, Ian Fleming in the 1950s, John le Carré and others since then – who set the tone and standards for spy-fi authors.  Most of these people were themselves spies for the British security services – Maugham worked for MI6 during WW1, Fleming ran a naval intelligence commando unit during WW2, le Carré was MI5 and MI6.
It was in Fleming’s James Bond novels in the 1950s that the CIA, at that time an agency whose existence was not officially admitted, were first named and portrayed.  As recent research by Dr Christopher Moran has shown, Fleming was friends with then-CIA director Allen Dulles, who was ‘fascinated’ by the Bond novels and in particular the gadgetry.  Over time the two became closer friends, to the extent that Dulles even asked Fleming to use his popular books to help portray the CIA in a positive light.  Similarly, it was British filmmaker Alfred Hitchcock who largely created the spy thriller genre in cinema in the inter-war period.  It was in Hitchcock’s late-50s film North by Northwest that Hollywood first named and depicted the CIA.  In both print and on the screen it was left to British creative talent to break the ground of public portraits of the CIA.
However, unlike Fleming and others, there is no evidence that Hitchcock himself ever worked for the security services, though he was spied on for a time by the FBI.  This included one incident in the early 1960s where an FBI mole at Revue Studios told the Bureau that a character in an episode of Alfred Hitchcock Presents was an ‘improper portrayal of an FBI agent’.  The Feds applied pressure and the character was watered down to being a private detective who used to work for the Bureau.
Much the same process continues today.  The former head of MI5 Stella Rimington is writing popular spy-fi, the British security services provided ‘former’ officers as advisers on the hugely popular TV show Spooks and the CIA is deeply involved in Hollywood.  In my previous article for this site I outlined how the CIA’s first official entertainment industry liaison Chase Brandon recruited actress Jennifer Garner to appear in a CIA recruitment ad.  However, that is just the tip of the iceberg.
Chase Brandon was a technical consultant on the show Alias, which launched Garner to stardom.  He was also a consultant on The Sum of All Fears (2002) and The Recruit (2003), both immediate post-9/11 films that depicted the CIA in an extremely favourable light.  Just like the pre-9/11 Enemy of the State (1998) the images and stories in these films and TV shows are a synthesis of high-value production with the glory of the security state.  Sexy young things run about and look confused for our amusement, while advanced technology spies on everything to provide the watching audience with a near-omniscient perspective.  Two spectacles for the price of one, you might say.
One particular interesting nexus of connections is worthy of greater scrutiny.  The Sum of All Fears starred Ben Affleck in the ‘sexy young thing running about’ role.  Not long after, Affleck and Garner met while co-starring in the film Daredevil (2003) and they fell in love and got married in 2005.  This is perhaps not at all surprising as they had a lot in common: they were born in the same year, were both rising stars, and had both worked on CIA-assisted productions.  Since they met Garner appeared in a CIA recruitment ad (2004) and more recently Ben Affleck directed and starred in the Academy Award-winning film Argo (2012) which tells the largely true story of the CIA setting up a fake film company as the cover for a black operation.  It is fair to say that they are not only one of Hollywood’s favorite couples, they are one of the CIA’s favorites too.
The links don’t stop there.  One of Argo’s producers was George Clooney, who made Syriana (2007), based on former CIA officer Bob Baer’s experiences in the Middle East.  Clooney is also a listed member of the Council on Foreign Relations, perhaps the most influential foreign policy think tank in the US.  Before he got involved in CIA productions Affleck also starred in Armageddon (1998) and Pearl Harbour (2001), two action-disaster films that some people see as predictive programming for 9/11, the ‘new Pearl Harbour’.  Both films were made by whizz-bang closeupwobblecam merchant Michael Bay, and both were produced with assistance from the Pentagon.
If all this is making you wonder whether Hollywood is largely populated by CIA agents and whether Affleck himself is a CIA agent then you aren’t alone.  Fortunately, someone actually felt the need to ask Affleck about these issues:
That’s right, according to Affleck ‘Probably, Hollywood is full of CIA agents’ that we don’t know about.  However, it is perhaps more pertinent to focus our attention on the ones we do know about, such as Chase Brandon’s replacement Paul Barry.  He told Dr Tricia Jenkins that in his view, ‘Most Americans are content to accept Hollywood’s message. Very few ever conduct any research to determine the truth. This is reinforced to us by the public e-mail we receive. In most instances, Hollywood is the only way the public learns about the Agency and Americans frequently shape their judgments about us based on films.’

What can we do about this?  For one, by spotting the spooks in Hollywood we can show those people who do shape their judgments about the CIA based on films that they are being duped, and deliberately so.  The CIA is not a heroic, patriotic institution that wants to protect the lives of ordinary Americans and help spread peace and freedom, no matter how many Chase Brandon-aided films put phrases like that in their dialogue.  If they were such an institution then they wouldn’t have to employ people like Brandon and Barry to massage their image and weaponize the dream factories.  The very existence of people like Brandon and Barry tells us there’s a problem within the CIA, a problem Hollywood cannot solve.  For another, the likes of Affleck and Garner are not celebrities we should look up to, but are the pawns of professional deceivers and therefore probably deserve our pity.  At the very least we could stop paying for our own deception, and encourage others to stop paying for theirs.
http://www.smellslikehumanspirit.com/2013/08/ciahollywood.html

SMELLS LIKE HUMAN SPIRIT PODCAST

Looking for an informative and entertaining podcast with fantastic guests and interesting topics? Subscribe to the Smells Like Human Spirit Podcast today! Past guests include Sibel Edmonds, Noam Chomsky, Michael Ruppert and more!

Photo Credit: WashingtonTimes.com

Wash Your Brain – Hollywood Mind Control


Published on Jan 31, 2012

WASHYOURBRAINdotorgWASHYOURBRAINdotorg·

http://washyourbrain.org
http://freemantv.com

From ancient goddesses to Lady Gaga, culture creation is the method of rulers to keep children fighting wars. Jamie and Freeman join Wash Your Brain to open the doors to occult rituals in Hollywood laying bare the propaganda techniques to help guide our youth out of the black magic spell.

Part 2: http://youtu.be/ATQopgh4Ruk



—– If you see any ADS in our vids, they’ve been put in place by YOUTUBE, not us! —–

FAIR USE NOTICE AND DISCLAIMER:

The following film contains excerpts of unlicensed 
footage and images, which are used with lawful excuse,
for educational purposes only and not-for-profit.

 Unlicensed footage and images are used in accordance
 with Section 107 of the US Copyright Law and Section 29
of the Canadian Copyright Act.

The views expressed in this film are those of the creators of this film alone. The persons appearing in this film may 
not or do not necessarily support the viewpoints of the creators of this film.

PsyWar: A Short History of the Battle for the Mind


March 15, 2012

By ADRIAN SALBUCHI—

As with all totalitarian regimes, the black/white or the good/bad Baby Bush “You’re either with us or you’re with the Terrorists” – binary rhetoric lies at the heart of the Global Power Elite’s PsyWar technology.

In 2004, Denis Boneau, a French journalist writing for the Voltaire Network, published an article called “The Science of World Domination”  (www.voltairenet.org/The-Science-of-World-Domination), making an excellent summary of key milestones in the development of the United States’ post-World War II Global Psychological Warfare Strategy.

He starts by describing the Truman Doctrine of “Containment” of the former Soviet Union that was based on the so-called “long telegram” sent to the State Department in 1946 by an advisor in the US embassy in Moscow – and key Council on Foreign Relations (CFR) scholar – George S. Kennan.

Shortly afterwards, Kennan was called back to the US to brief his superiors more fully and his recommendations were finally published in the July 1947 issue of Foreign Affairs, the official journal of the CFR, as “The Sources of Soviet Conduct.” This became known as the “X” article because that’s how Kennan signed it, as there was still heated debated as to whether it would become official US foreign policy.

It did. With his highly influential article, Kennan gave birth to the US policy of “Containment” of the Soviet Union which consisted in blocking the expansion of communism through the control of national emancipationist movements that could lead to greater power to pro-socialist or nationalist leaders.

As official policy, “Containment” required the collaboration of experts capable of providing geographical, economic, cultural, psychological and sociological data useful to the US Armed Forces and the intelligence community, working very closely with key think tanks like the CFR.

Thus began the Cold War which Kennan and the US Government believed would give the United States a historic opportunity to assume leadership over what they would eventually describe as the “Free World.” With time, as the Global Power Elite became more deeply embedded inside the US and British public and private power structures (and that of their key allies), that “leadership” would end up encompassing practically the whole planet.

In a way, one can say that the CFR in conjunction with other think-tank and university scholars – George Kennan, Henry Kissinger, Leo Strauss, Zbigniew Brzezinski included – single-handedly started and macro-managed last century’s forty-five year long Cold War.

As part of that global strategy, 1947 also saw the Truman Administration sanction the National Security Act which, amongst other things, created the Central Intelligence Agency (CIA) tasked with designing, planning and executing “propaganda, economic war, direct preventive action, sabotage, anti-sabotage, destruction, subversion against hostile States, assistance to clandestine liberation movements, guerrilla, murders, assistance to indigenous groups opposed to the enemy countries of the ‘free world’…

What is Psychological Warfare?

Boneau defines Psychological Warfare (PsyWar) as a number of actions ranging from radio propaganda to torture, that require comprehensive information on targeted populations. In a document written in 1948, American ground forces defined “psychological warfare” as follows:

“It is based on moral and physical means different from those upon which orthodox military techniques are based on. Its purpose is: (a) To destroy the will and the fighting spirit of the enemy and avoid its allies’ support and, (b) To encourage our troops and our allies’ will of being victorious.”

PsyWar uses every possible weapon and tool to influence and impact the will of the enemy. Such “weapons” are labelled “psychological” because of their effect and not because of their own nature. This is the reason why, open propaganda (“white”), secret (“black”) or “grey” propaganda – subversion, sabotage, murders, special operations, guerrilla, espionage, political, economic and racial and ethnic pressures – are all considered useful PsyWar weapons.

To implement such programs, the intelligence services recruited specialists on behavioural sciences capable of inventing the “simple, clear and repetitive” white propaganda and black propaganda aimed at provoking “disorder, confusion and… terror” within the enemy forces.

We thus begin to fathom that the so-called “Arab Spring” of today did not just suddenly and spontaneously explode in 2011, but was rather hatched from an “egg” laid decades ago and brooded by the secret intelligence agencies.

“White” Propaganda

This began in the 40’s and 50’s with Project Troy that mobilised top scholars to identify available means of transmitting the “truth” (i.e., US propaganda) behind the Iron Curtain through powerful radio transmitters like the Voice of America, the broadcasting network created by the International Information Service (IIS), another PsyWar institution created under the Truman Administration.

Voice of America was used to promote US “values” of so-called “democracy,” the “American Way of Life,” “freedom” and Corporate Capitalism. A key leader of Project Troy was James Webb, adviser to Secretary of State Dean Acheson and a “psychological warfare” operative who recommended university experts and the government to work closer.

They soon realised, however, that Voice of America was not enough to penetrate the Iron Curtain and supported by the US Navy and the CIA, they suggested other channels to implement “white” propaganda: university exchanges, publications of books, information through the mail, professional journals, commerce and industrial publications.

Truman also created the Psychological Strategy Board encouraging studies of “Soviet society” through a program of recruiting dissidents called Project CENIS – Centre for International Studies – at MIT (Massachusetts Institute of Technology) directed by CFR operative Max Millikan.

This worked so well that in 1950 the US Air Force commissioned and funded similar research on the Korean population. Wilbur Schramm, the founding father of the mass communication paradigm, John Ridley and Fredericks Williams were given the mission of interviewing anti-communist refugees to draw up a suitable propaganda strategy on Korea. The study also resulted in the establishment of the “Public Opinion Quarterly” (POQ), the official magazine of “psychological warfare” community.

In the 1963 Project Camelot was created that defined process models leading to national revolutions in Third World countries to facilitate counter-insurgence operations. Camelot is a good example of the strengthening ties between behavioural scholars and the US Intelligence community (i.e., intel services, universities, major corporations, think-tanks and the Military). It facilitated interventions in Yemen, Cuba and the Congo, and helped foresee and prevent the risk of revolution.

In Chile, operating through the Special Operations Research Office (SORO), Project Camelot supported CIA plans to overthrow the democratically elected government of Salvador Allende imposing General Augusto Pinochet’s military junta on Chile on 11 September 1973.

Psychological Warfare Strategy development also counted on key universities dealing in Communication Sciences to develop the “mass communication” paradigm financed by the US Military, the CIA and the State Department. This led to effective propaganda used to penetrate the Iron Curtain through different means, including leaflets and broadcasting. The discipline’s field of study was wide: persuasion techniques, opinion polls, interviews, military and political mobilisations, ideological dissemination…

They have now come a long way thanks to dramatic breakthroughs in communications and information technologies, where propaganda and PsyWar have to a great extent been outsourced and privatised. Today, their main PsyWar weapons include TV, radio, press and internet outlets such as Fox, CNN, MSNBC, ABC, CBS, PBS, New York Times, Newsweek, BBC, RTVE, RAI, Time, Daily Telegraph, Sun, Mirror, Daily News, Reuters, Jerusalem Post and their global subsidiaries and dependants.

Most importantly, this process also encompasses that key arm of social engineering and thought deformation known as the “entertainment industry” with Hollywood as its main hub and flagship.

Dirty Tricks Departments

From the very beginning, torture was considered a research field in social sciences. During the Korean War, the BSSR (main “black” propaganda research centre) was charged with carrying out studies for the Army to identify Eastern Europe population’s “vulnerability targets and factors” while defining different “aspects of psychological violence.” BSSR reported on the effects of traditional interrogation techniques – electric shocks, blows, drugs – all funded in part by the CIA, especially on the populations of Viet Nam and Africa, geared at improving torture effectiveness.

The paradigm of mass communication was inserted in a broader intellectual plan consisting in the division of the world map based on the American strategists’ logic. The patriarch of this discipline, Wilbur Schramm (as did Leo Strauss), offered a perspective of this reductionist dimension of communication sciences based on the “good guys/bad guys” antagonism, where communism symbolised “Evil” and America symbolised “Good.” This was shared by the majority of the intellectuals and scientists supporting the US government in its fight against Soviet expansionism where neutrality was considered treason.

In 2001, the Bush Administration reactivated these Cold War mechanisms, not to fight the Soviet Union but to impose a “New World Order.” Since 11 September 2001, the excuse for this reactivation is “The War on Terror.” Once again the intelligence community turned to universities: the CIA’s director of scientific research, John Philips, took control of the Rochester Institute of Technology; Michael Crawl, deputy director of the CIA’s joint economic association in the computer sector was appointed dean of the University of Arizona, and Robert Gates (former CIA director under Bush Senior) before becoming Bush/Obama’s Pentagon Chief was president of Texas A&M University.

Alas! Nothing new under the sun…

 

ADRIAN SALBUCHI is a political analyst, author, speaker and radio talk-show host in Argentina. He has published several books on geopolitics and economics in Spanish, and recently published his first eBook in English: The Coming World Government: Tragedy & Hope? which can be ordered through his web site www.asalbuchi.com.ar, or details can be requested by E-mail to arsalbuchi@gmail.com. Salbuchi is 58 years of age, married, with four adult children, and works as strategic consultant for domestic and international companies. He is also founder of the Second Republic Project in Argentina, which is expanding internationally (visit: www.secondrepublicproject.com).

The above article appeared in New Dawn No. 131 (March-April 2012).

Read this article and larger explorations of Mind Control manipulation by downloading
your copy of New Dawn 131 (PDF version) for only US$5.95

© New Dawn Magazine and the respective author.
For our reproduction notice, click here.

http://www.newdawnmagazine.com/articles/psywar-a-short-history-of-the-battle-for-the-mind

© Copyright New Dawn Magazine, http://www.newdawnmagazine.com. Permission granted to freely distribute this article for non-commercial purposes if unedited and copied in full, including this notice.

© Copyright New Dawn Magazine, http://www.newdawnmagazine.com. Permission to re-send, post and place on web sites for non-commercial purposes, and if shown only in its entirety with no changes or additions. This notice must accompany all re-posting.